How to Read Literature Like a Professor Chapter Analysis Essay

Chapter 1 Every Trip Is a Quest (Except When Its not)In Chapter 1 the precedent explains the exemplary cerebrate of why a grapheme takes a trip. They dont whole if take a trip they take a quest. Structur all toldy a quest has a quester, a dumbfound to go, a stated occasion to go there, challenges and trials en route, and a reason to go there. Quests normally contract timbers such(prenominal) as a knight, a dangerous road, a devoted Grail, a dragon, an evil knight, and a princess. The quest also involves the character to put one over self-knowledge out of taking the adventure to the stated place where he or she is going.Chapter 2 Nice to cancel out with You Acts of CommunionChapter 2 tells of the symbol that takes place while characters be eating a meal together. The reference states that when battalion eat together it is speculateing Im with you, I resembling you, we form a community together. The meal also shows how a psyche feels towards another person. It can show whether you like or dislike the person. The compose explains how the description of the food isnt provided to inform you of what is being eaten. It is to bow out you into the moment and help you feel the realism of that moment.Chapter 3 Nice to Eat You Acts of VampiresIn Chapter 3 the author explains in Chapter common chord how vampirism isnt continuously almost vampires. Vampirism is a characteristic a character can portray, such as selfishness, exploitation, and rudeness. The character takes advantage of people, like a vampire would to his prey. legion(predicate) authors rattling use vampires, ghosts, or doppelgangers to portray vampiristic qualities instead of letting the commentator infer those qualities into a human.Chapter 4 If Its Squ ar, Its A sonnetChapter 4 tells most how sonnets atomic number 18 formed and how to identify a sonnet.Sonnets argon in a squ ar shape and they always brook 14 lines in them. The author says that sonnets may be challenging to un derstand, but they atomic number 18 the most interesting poems because they be able to say what they engage to say in provided 14 lines and 10 syllables.Chapter 5 Now, Where Have I Seen Her Before?In chapter 5 the author explains how stories overlap in a way. Book are never totally original. They all use interchangeable characters with similar personalities. Authors use other authors to influence their style of piece of writing and what they import closely.Chapter 6 When In Doubt, Its from Shakespeare . . .Chapter 6 is all near William Shakespeare. The author believes that almost all stories written were somehow influenced by a looseness or sonnet or some sort of Shakespeares works. virtually of even the most famous stories ever written were somehow consociateed to a piece by William Shakespeare.Chapter 7 . . . Or the volumeChapter 7 is similar to the chapter that refers to Shakespeare. It states how every piece of literature is somehow related to or referring to the Bible. They all involve things such as temptation, betrayal, denial, etc. withal, writers refer to the Bible because almost everybody knows at least some of the stories from the Bible.Chapter 8 Hanseldee and GreteldumIn chapter 8 the author explains how many stories are connected to fairy tales, like a parallel. Fairy tales are easy to connect to because they all have a plot and solution, so there is always a way to connect a stratum to the fairy tales.Chapter 9 Its Greek to MeChapter 9 is well-nigh myths and how they are related to Greek mythology. at that place are three types of myth Shakespearean, Biblical, and fairy tales. There are many things connected to Greece. many things are named and based off of Greek characters. Mascots, towns, and some people are even named after some of the greates heros of Greek times.Chapter 10 Its more than Than Just Rain or SnowChapter 10 is about the symbolic representation of weather. The author talks of the uses of weather such as rain, w ind, snow, etc. The uses are plot device, atmospherics, democratic element, cleansing, and restorative. The weather is a very critical lucubrate in setting the scene for stories.Chapter 11 More Than Its Gonna mischief You Concerning ViolenceChapter 11 is about the significant meaning of violence. There are two categories of violence in literature the specific injury and the communicative violence. Specific injury causes characters to visit on one another or on themselves. Narrative violence cause the characters to cause harm in general.Chapter 12 Is That a Symbol?Chapter 12 is about symbolism. The author says that not everybody will think a symbol will mean the resembling thing and it wont. The symbol is whatever you think it means. Some writers arouse their symbols direct, but most let you use your own imagination.Chapter 13 Its All PoliticalChapter 13 was about how most writing is political. It was about how writers secretly put their political point of views into their stori es. Usually political writing is boring and vague. Some writing is more political than others, but notwithstanding about all writing is political on some level.Chapter 14 Yes, Shes a Christ Figure, TooChapter 14 is about how almost everything, in some form, is a Christ figure. The chapter gives a itemization to relate characters to. The list is 1. crucified, wounds in the hands, feet, side, and head 2. in agony 3. self-sacrificing 4. good with children 5.good with loaves, fishes, water, booze 6. thirty-three years of age when last acquiren 7. employed as a carpenter 8. cognise to use humble modes of transportation, feet or donkeys preferred 9. believed to have walked on water 10. often portrayed with arms outstretched 11. known to have spent time alone in the wilderness 12. believed to have had a confrontation with the devil, possibly tempted 13. last seen in the company of thieves 14. condition of many aphorisms and parables 15. buried, but arose on the third day 16. had dis ciples, twelve at first, although not all equally devoted 17. very forgiving 18. came to hold open an unworthy world.Chapter 15 Flights of FancyChapter 15 is all about the symbolism of flying. Flying is freedom. Thats what it symbolizes. Usually stories are fiction when you see a character flying, but when you do the person is either a superhero, go jumper, crazy, a circus act, suspended on wires, an angel, or heavily symbolic.Chapter 16 Its All almost Sex . . .Its All About Sex, or Chapter 16, is about the symbollic meaning of sex in a story or movie. The author says that usually sex isnt even about the sex or things that have nothing to do with sex are usually about sex.Chapter 17 . . . Except SexChapter 17 is about how sex is never actually used in literature. Authors always hear the scene before and the scene after but never the inbetween. There is really only one way of writing about sex, of assembly line the characters can do different things but in the end its still the same thing. thats why its ok to just leave the actual physical part out of the bookand only describe the before and after.Chapter 18 If She Comes Up, Its BaptismChapter 18 is all about the entailment of water. When a character goes under water and comes back up, it usually means that the character was renew or reborn. Then after that the character will be a whole new being. Sometimes the character goes under and doesnt come back up, but the only significance this has is that the character dies.Chapter 19 Geography Matters . . .Chapter 19 is about the geography. The geography symbolizes the vagary of the characters. Such as if a character is on the beach they are usually relaxed and calm. Hills can symbolize journeys or difficult tasks that the character has to overcome.Chapter 20 . . . So Does SeasonChapter 20 is about the effect seasons have. Most immature movies are set in the summer because that is supposedly the prime of their lives. spend signifies age and the characters a re usually moody or gloomy. When it is fall the characters are probably changing is some ways. Spring the character is probably renewed in some way.Chapter 21 Marked for GreatnessChapter 21 is about how defaults in a character mean more than just some sort of handicap. Everything has a meaning. Take for instance the scar on incrust Potters head. It has a story of its own. It reminds him of his parents and what happened to them.Chapter 22 Hes Blind for a Reason, You KnowChapter 22 is about the symbolic meanings of blindness. Not all the time instories is the person who is literally blind actually the blind one. Blind people can be the people who have sight but are greedy and selfish.Chapter 23 Its neer Just Heart Disease . . .Chapter 23 tells about how when an author mentions kindling disease in a story, its never just nerve disease. Since the heart represents practically all emotion, when the heart has troubles it could be interpreted as lonliness or pain. Usually the characters with heart disease are never beaming with life.Chapter 24 . . . And Rarely Just IllnessIn chapter 24 the author suggests the use of illnesses. He states that when writing a story, you cant just use any illness off the top of your mind. The illness must be picturesque, meaning that the illness should affect the physical appearance of the character. Also the illness should have strong symbolic or fableical possibilities.Chapter 25 Dont Read with Your EyesChapter 25 is called Dont Read With Your Eyes. The chapter is basically a restatement of previous chapters, just repeating that readers deal to think of the story in a different perspective and that they should see the author or maybe the characters point of view.Chapter 26 Is He knockout? And Other IroniesIn chapter 26 the author states that even though we went done the entire book learning about all of these new symbolic meanings in literature, sometimes irony will come and mess things all up. He says something that helps me remember irony trumps everything. Even though we spent hours class period about all of the symbolic and metaphorical possibilities in stories, there only has to be one, tiny ironic thing that could come along at the end of the story and completely wipe out all of the symbols and metaphor we just read.